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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

masculine/feminine, 2010 by Bridget Mac
NYSPP 2010 winner

Eyes on the Prize

Magazine article by Joanna Gilmour, 2010

A short visual essay of some of the works in the National Youth Self Portrait Prize 2010.

Stuart, 2008

Interiors

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman previews the National Photographic Portrait Prize 2009.

Stephanie Alexander, 2004

Masters of Fare

Magazine article by Andrew Sayers AM, 2004

The exhibition Masters of Fare: Chefs, Winemaking, Providores celebrates those who have championed the unique culinary characteristics and produce of Australia.

Bob Ellis

Tribute

Bob Ellis
Magazine article, 2016

Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.

Pat Mackie

Blue Collar Icon

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.

High school, 2008

Subtle emotion

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Sir Edward Holden

Promise Fulfilled

Magazine article by Dr Sarah Engledow, 2006

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Ray Lawler

Diamond Doll

Magazine article by Karen Vickery, 2016

Karen Vickery delights in a thespian thread of the Australian yarn.

Self-portrait, 1999

A self-portrait in focus

Magazine article by Kim Appleby, 2002

In her self-portrait, Tracey Moffatt presents herself as her work.

Florence Austral

Pretty in peach

Magazine article by Joanna Gilmour, 2008
It's remarkable that the inner Melbourne suburb of Richmond has produced two of Australia's most successful opera singers. Three decades apart, but within a short distance of each other, both Helen Porter Mitchell and Florence Wilson were born.
Self portrait, 1645

The considered life

Magazine article by Andrew Sayers AM, 2010

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Peter Sculthorpe

Creative space

Magazine article by Eric Smith, 2004

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

The National Portrait Gallery building in twilight

On a human scale

Magazine article by Andrew Sayers AM, 2006

The design concepts behind the new National Portrait Gallery building in Canberra.

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Self-portrait with bowler hat, 1885–6 by Paul Cézanne

Hail Cézanne

Magazine article by John Elderfield, 2017

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency